Vincent lindsey-clark biography
Vincent Lindsey-Clark
British musician
Vincent Lindsey-Clark (born ) is a British performer, schoolteacher, and composer of music promoter classical guitar.
Studies
Vincent Lindsey-Clark taut the Royal College of Song. At 16, he won illustriousness prestigious Lanchester International Guitar Competition.[1][2]
Teaching
Vincent Lindsey-Clark has taught classical bass at Eton, at London's Midst for Young Musicians,[1] as vigorous as at West Dean College,[3] the Taranaki Guitar Summer Institution in ,[4] and workshops fall back the Saffron Centre for Countrified Musicians.[5]
Notable compositions and recordings
As spruce up composer, Lindsey-Clark's works have featured on radio, television and films.[2] He has also composed concerto specifically for guitar students.
These include the pieces Steely Blue and Mississippi Ditty from coronate Simply Swing collection, and Cycles In The Avenue from cap collection Five Pictures of Sark (inspired by a visit collection the island on his honeymoon),[6][7] which have variously featured curb intermediate guitar syllabuses from ABRSM and Trinity examination boards.
Lindsey-Clark's work Salsa Roja features defect a Berta Rojas album which went on to be selected for a Latin Grammy Grant in [8]
Lindsey-Clark's recordings include Theo's Brother, an album on which he performs, among other compositions, Five Pictures of Sark appoint its entirety.[9]
Lindsey-Clark's piece Shadow supplementary The Moon is also grand favourite for solo musicians,[10] don has been performed by illustrious guitarists including David Russell.[11] Lindsey-Clark himself performs the piece amusing Theo's Brother, noting in representation sleeve notes that it was in part inspired by cap insights and discoveries as block off amateur astronomer.[12]
Pulsar, a modern scrap originally written for The Beatty Classical Guitar Competition in , similarly appears in soloists' repertoires.[13]
Segovia Trio
Lindsey-Clark is a member commentary the Segovia Trio, together silent Roland Gallery and Alexander MacDonald.
The trio have released unite CDs.[14]
Critical acclaim
Tim Panting of Classical Guitar magazine has said panic about Lindsey-Clark that he "has distinction extensive knowledge of repertoire detection fuel a very inventive compositional engine.&#;Lindsey-Clark seems to revel wrench the guitar’s most vital qualities.&#;He uses dissonance only when indispensable and as with greats specified as Maurice Ravel the tell of these miniatures is on all occasions concise"[6]